2025 Hawaii & French Polynesia Expeditions

In Collaboration with Sennheiser

Into the deep: Thomas Rex Beverly records the songs of humpback whales

Wedemark, August 2026 — Nature sound recordist Thomas Rex Beverly has spent years chasing the sounds of the natural world, from Patagonian mountain ranges to glaciers of Greenland to the ancient redwood canopies of California. Now he has gone further than ever before, plunging beneath the surface of the Pacific Ocean to capture the extraordinary songs of humpback whales. Armed with a trusted set of Sennheiser HD 300 PROtect headphones, his long-standing companions MKH 8020 microphones, and a bespoke 3D hydrophone array, Beverly undertook two expeditions, first to Hawaii and then to French Polynesia, in pursuit of high-definition, spatialised recordings that no researcher had previously been able to make.

From glaciers to the ocean floor

Beverly has followed three core themes in his field recording expeditions; glaciers, weather and ancient trees, and has now added a fourth, whales. He found that while the existing recordings were interesting, he felt he could do more to really capture their other-worldly songs and the essence of their habitat, specifically with a more accurate recording of the vast spatial nature of the underwater world. His adventure began in Hawaii, where he recorded the unique underwater world of the wildlife around the Big Island, and ended in French Polynesia where, with the help of Sennheiser, he listened to the enticing songs of humpback whales...

Typically, existing recordings of whale song have been recorded for research purposes and are optimised by scientists for ultra-long recordings of up to six months. This makes the results factually accurate, but not of high enough resolution to be suitable for spatialised sound or high-definition listening. As a field recordist, Beverly strives for perfection. His sound libraries are used by sound designers for film, TV, video games, and museums, with his clients including Oscar, Emmy, and Golden Globe-winning sound designers and sound editors...

That's an excerpt. Read the full article and watch all the behind the scenes videos on Sennheiser's website.

 

The Ruthless Edit

Curation is a major part of being a field recordist. Rick Rubin calls this the ruthless edit. People often ask me what I think about when cutting. My response: "absolutely nothing". After ten years of editing nature soundscapes, my intuition is strong. If it’s a "hell yeah" I keep it. Nothing else survives.

Hawaii

Big Island · February 2025
97.2%Of raw hours cut
794 → 22 hrsRecorded → kept
3.2 TB → 164 GBRaw → released
36 hrsRaw per kept hour

Every square is one raw hour

Make the Ruthless Edit↺ Restore
Hover a library for details. Make the edit to see what survived.The Ruthless Edit · hrs cut · remainCut · 772 of 794 raw hrsSD41 Humpback Whales · 1.1 hrs kept · 4.8 GB · 192 kHz · 136 filesAMB98 Nature Roomtones: Volcanoes · 3 hrs kept · 6.4 GB · 96 kHz · 56 filesAMB97 Hawaii: Quiet Nature · 3 hrs kept · 6.5 GB · 96 kHz · 42 filesAMB96 Hawaii: Wind · 3.5 hrs kept · 7.7 GB · 96 kHz · 64 filesAMB94 Hawaii: Coral Reefs · 4 hrs kept · 17 GB · 192 kHz · 71 filesAMB95 Hawaii: Humpback Whales · 7.5 hrs kept · 122 GB · 192 kHz · stereo, quad & 3D · 192 files

French Polynesia

Moʻorea · October 2025
96.6%Of raw hours cut
381 → 13 hrsRecorded → kept
5.7 TB → 230 GBRaw → released
29 hrsRaw per kept hour

Every square is one raw hour

Make the Ruthless Edit↺ Restore
Hover a library for details. Make the edit to see what survived.The Ruthless Edit · hrs cut · remainCut · 368 of 381 raw hrsSD43 Ultrasonic Dolphins · 1.2 hrs kept · 20.1 GB · 192 kHzSD45 Humpback Whales 2 · 1.5 hrs kept · 20 GB · 192 kHz · estimateAMB99 French Polynesia: Underwater Rain · 2.5 hrs kept · 52.5 GB · 192 kHzSD42 Snapping Shrimp · 2.5 hrs kept · 33.4 GB · 192 kHzAMB100 French Polynesia: Humpback Whales · 5 hrs kept · 104 GB · 192 kHz