Testimonials, Credits, Sponsors, & Clients

 

Testimonials

How Oscar, Emmy, and Golden Reel winning sound designers and editors use my libraries.

Highlights

“The sounds of your recordings jump off the tape.”
Stephen FlickOscar winning Supervising Sound Editor — Speed, Pulp Fiction, Die Hard, Twister
“Thomas’ unique and well recorded sounds have helped me create the sonic universe of Star Trek.”
Tim FarrellEmmy winning Sound Designer — Star Trek: Picard, Obi-Wan Kenobi, The Walking Dead
“The desert recordings are quite exceptional. So quiet, clean and the wildlife is amazing.”
Stefan HenrixEmmy winning Supervising Sound Editor — Game of Thrones, Chernobyl, Batman Begins
“For high quality content you can’t get better than Tom’s nature recordings. They are pristine and detailed. My first port of call is always Tom’s library.”
Stuart McCowanEmmy winning Sound Editor — Avatar, Jurassic World: Fallen Kingdom, Sherlock
29Award winners & nominees

“The sounds of your recordings jump off the tape, like Doug Hemphill’s sound effects recordings for The Black Stallion Returns. In my USC sound design lectures I refer my students to TRB’s extraordinary SFX recordings. They are a great place to start.”
Stephen FlickOSCAR winning Supervising Sound Editor and Sound Designer — Speed, Pulp Fiction, Deadwood, Twister, RoboCop, Die Hard

“Thomas’ unique and well recorded sounds have helped me create the sonic universe of Star Trek.”
Tim FarrellEmmy winning Sound Designer and Sound Effects Editor — Star Trek: Picard, Ant-Man and the Wasp: Quantumania, Obi-Wan Kenobi, The Walking Dead, Crash
“For high quality content you can’t get better than Tom’s nature recordings. They are pristine and detailed. My first port of call is always Tom’s library. I wish all field recordists were as professional, dedicated and passionate as he is.”
Stuart McCowanEmmy winning Sound Editor — Avatar, Jurassic World: Fallen Kingdom, Sherlock, Oblivion
“Thomas’ libraries have such a unique character and depth to them. I find myself using them on every project.”
Mitchell LestnerEmmy winning Sound Editor — The Last of Us, Mayor of Kingstown, The Peripheral
“After constant searching and many failed recording attempts of my own, I have finally found the beautiful winds and tones I have been missing in Tom’s libraries.”
Filipe MessederEMMY winning Sound Effects Editor — Free Solo, The Lighthouse
“The Northern Rockies libraries are some of the most interesting and beautiful nature recordings I’ve ever heard. Thomas Rex Beverly has captured something truly special.”
Mark HailstoneEMMY winning Sound Effects Editor — Shōgun, Geostorm, Leverage, The Librarians
“These ambience libraries offer great variations between busy and tranquil backgrounds, giving editors flexibility to cut specifically to their needs while retaining lush, full range sound across all of the recordings.”
Matt YocumEMMY winning Sound Editor — The Last of Us, The Cloverfield Paradox, Pokémon Detective Pikachu, The LEGO Movie 2
“The desert recordings are quite exceptional. So quiet, clean and the wildlife is amazing.”
Stefan HenrixEMMY winning Supervising Sound Editor — Game of Thrones, Chernobyl, Batman Begins

“Thomas’s attention to detail and sonic purity are evident in his libraries. Impeccable recordings with little to no alterations after the fact. The ambiences are spacious and absolutely pristine. I’m so glad I’ve discovered this sonic gold mine.”
Ed Douglas5× GOLDEN REEL winning Sound Designer — Rocky Mountain Express, Journey to Mecca, Deep Sea 3D, NASCAR 3D: The IMAX Experience, Conspiracy of Silence
“You can really feel a closeness to nature in what you have captured. Your tracks sound so nice I hardly felt the need to put more than a couple playing at a time. Less is definitely more with your tracks. They sing wonders!”
George PereyraGOLDEN REEL winning Sound Editor — Transformers: Age of Extinction, Fast Five
“The High Desert series is one of my go-to’s for exterior BGs. There’s so much subtlety and detail. Those libraries bring so much life to each project I work on.”
Russell TopalGOLDEN REEL winning Sound Editor — CODA, Frozen II, Ballers, Tom Clancy’s Jack Ryan
“Thomas’ nature recordings are astounding in their clarity, purity, and authenticity. His passion for field recording is evident in every track. High quality, highly talented and highly recommended!”
Tim WalstonGOLDEN REEL winning Sound Designer — Pacific Rim, Sonic the Hedgehog, Pet Sematary, Riddick, Bumblebee
“Bowed Cactus is a fresh and original take on the classic Godzilla vocal creation approach — except instead of bowed metal and strings, it’s totally organic. At 192kHz you can tweak the sound til your heart’s content and still maintain an extremely high quality that doesn’t reek of processing.”
Robert StamblerGOLDEN REEL winning Sound Designer — The Blue Angels, Star Wars: The Rise of Skywalker, Star Trek Into Darkness, Venom
“I think the Nature Roomtones are indispensable for game sound designers who are creating their ambiences and implementing them piece by piece. These sound amazing.”
Alex PrevityGOLDEN REEL winning Sound Designer — Spider-Man PS4, Death Stranding, Ratchet & Clank, Discord, Vainglory
“Your recordings totally rewired my perception of nature sounds. Beautiful work.”
Filip KrzyżykowskiGOLDEN REEL winning Sound Designer — Warsaw Uprising, Corpus Christi, The Hater, Cracow Monsters
“Fantastic recordings! I’ve used different libraries on four feature films and look forward to hearing Thomas’ future work.”
Stephen GriffithsGOLDEN REEL and BAFTA winning Supervising Sound Editor — Tinker Tailor Soldier Spy, Jawbone, Big Little Lies
“Thomas Rex Beverly offers natural, vivid, spacious recordings of ambiences that can fit right into any modern production.”
Charlie CampagnaGolden Reel winning Field Recordist & Sound Designer — Blade Runner 2049, Star Trek, Iron Man 3, Prometheus
“Unfreaking real dude. Seriously incredible result and an inspiring work of creativity.”
Mark Camperell3× GOLDEN REEL winning Sound Designer — Call of Duty: Black Ops 6, Uncharted 2: Among Thieves, Onimusha: Dawn of Dreams, The Flash
“The demos for Bowed Cactus sound insanely cool — your creativity is inspiring! Please don’t stop releasing awesome stuff.”
Samuel JusticeGOLDEN REEL winning Sound Designer at Sweet Justice — Halo Wars 2, Gears of War 4, Star Wars Battlefront II, Call of Duty: WWII
“The Bowed Cactus library is a unique collection of high resolution textures that have an interesting character and useful for creating many different design elements.”
Joseph FraioliGOLDEN REEL winning, 3× EMMY nominated Sound Designer — Secret Level, Fallout
“We just got High Desert Winds — absolutely fantastic stuff. Great library.”
Barney OramGOLDEN REEL winning Sound Designer — God of War Ragnarök, Halo Infinite, Silent Hill 2, Cuphead: The Delicious Last Course
“Just bought the whole set after listening to the demos. Some very cool stuff in here. Really like the hummingbirds.”
Mark KilbornGOLDEN REEL winning Sound Designer and Audio Director — Call of Duty: WWII, Hogwarts Legacy, Forza Motorsport, Call of Duty: Modern Warfare Remastered

“When I bought my first sound library from Thomas — the first of many — he sent me a hand written letter to thank me personally afterwards. Such a kind gesture, and his sounds are even better. Always incredibly textured and evocative.”
Peter AlbrechtsenGOLDEN REEL nominated Sound Editor — Lee Cronin’s The Mummy, Evil Dead Rise, The Killing of Two Lovers, The Cave
“They are often my first port of call when looking to start shaping a great atmosphere. The Quiet Nature series have been invaluable in creating a neutral but living bed in my backgrounds, while libraries like High Desert Thunderstorms have been critical for adding heft and low end.”
Brendan RehillGOLDEN REEL nominated Supervising Sound Editor — Kneecap, The Favourite
“The Bowed Cactus library is a goldmine for unique creature design! So many different textures, intensities, and personalities. 10/10, Thomas did an amazing and creative job.”
Edward BaumanGOLDEN REEL nominated Sound Designer — Gears of War 4, Gears 5, Candiland
“I have used Thomas’ sounds in various feature films and they are a wonder to work with! He is a natural at performing and capturing sounds in a way that adds an extra life to soundtracks.”
Lachlan HarrisGOLDEN REEL nominated Sound Designer — Beast of War, Hotel Mumbai, Sweet Country
“I’ve used these libraries over the past several years on a variety of projects. Pristinely recorded, unique and at a great price. Highly recommended.”
Juan UribeGOLDEN REEL nominated Sound Designer — Destiny 2: The Witch Queen
“These libraries are incredibly refreshing. Thomas clearly put a lot of time into making sure each library is meticulously organized and of pristine quality.”
Kevin PetersCAS Award nominated Re-recording Mixer and Supervising Sound Editor — Woodstock: Three Days That Defined a Generation, Ocean’s 8, Triple Frontier, The Purge
“Great work, I really like your cactus, whooshes, trains, winds, and thunderstorms. Nice textures, depth and quality.”
Bernhard ZorziGOLDEN REEL nominated Sound Designer — The Ivory Game, Sea of Shadows

Selected Credits

  • A few of the most prominent projects where my sound libraries have been used.

Selected Sponsors

  • These companies have supplied funding and/or gear for my recording expeditions
  • All thoughts on gear are my own. I don't use gear I don't love and do not accept sponsorship in exchange for positive gear reviews. 

Selected Clients

  • These companies, museums, and universities trust in sound libraries from Thomas Rex Beverly Audio.