Let’s talk about your libraries for a bit. What got you into field recording?
My decision to focus on field recording and start releasing sound effects libraries grew from my work as a composer. Over the last few years, I wrote several multimedia pieces with field recordings and time-lapse photography taken from regions around the United States. In these pieces, I developed “seasonal electronics” so that the electronic component of the piece changes each time it is performed based on weather data of a specific place. For example, my piece “Sitka” is a twelve-minute work for piano with “seasonal electronics”, exploring the relationship between music, technology, and nature.