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During January 2018, I had a contest for a chance to win my Complete Bundle. To enter, you had to share your best field recording story. I received some hilarious and wonderful submission and will be sharing a few of them in upcoming blog posts. However, my favorite story was from Brendan Rehill and his fabulous story of recording the elusive Black Grouse. He won the contest and I’m thrilled to share his story!
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Let’s talk about your libraries for a bit. What got you into field recording?

My decision to focus on field recording and start releasing sound effects libraries grew from my work as a composer. Over the last few years, I wrote several multimedia pieces with field recordings and time-lapse photography taken from regions around the United States. In these pieces, I developed “seasonal electronics” so that the electronic component of the piece changes each time it is performed based on weather data of a specific place. For example, my piece “Sitka” is a twelve-minute work for piano with “seasonal electronics”, exploring the relationship between music, technology, and nature.

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